The Comitas Gallery

Jamaica1 9 5 5  —  1 9 7 9

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Trench Town, KingstonMortimo Planno
Kingston, Jamaica

Summer of 1969

Lambros Comitas's first use of the video camera came in the late summer of 1969, when he was en route to Bolivia to work on a Peace Corps project. In Jamaica, he was checking on a number of his graduate students in the field.

One was Claudia Rogers, who was working in West Kingston at the time.

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Fifth Street · Trench Town

Finding Planno

The year before, Lambros had met Mortimo Planno — a Rastafari leader who had become a folk hero for the role he played in quelling the tumultuous crowds at Palisadoes Airport during Emperor Haile Selassie I's state visit in April of 1966.

With Rogers' assistance, Comitas found Planno in his yard on Fifth Street in Trench Town.

Fifth Street, Trench Town · 1969

A Consequential Encounter

“I well remember that day in 1969, we talked about race relations and civil rights, the Rastafari settlements spreading outside of Kingston, his [Planno’s] stay in the United States and of a consequential televised debate he had with Malcolm X. We even talked about 35mm cameras and the newfangled videotape machine I was taking to Bolivia.”

Lambros Comitas — Field Notes
Palisadoes Airport

The Emperor's Arrival, 1966

Three years earlier, Planno had personally intervened when overwhelming crowds gathered at Palisadoes Airport upon the arrival of Emperor Haile Selassie I. During the mission’s visit to Ethiopia, Planno and two other Rastafari met with Emperor Haile Selassie I. He disembarked the Emperor from his plane — an act that cemented his status among the Rastafari faithful.

He was a member of the Ethiopian World Federation Local 37 and had participated in the historic government-sponsored Mission to Africa in 1961.

The Dungle, Salt Lane, West Kingston

A Gathering at The Dungle

As their visit wound down, Planno offered to organize a gathering for Lambros to videotape at the Dungle — a legendary Rastafari meeting place off Salt Lane in West Kingston that housed the Ethiopian World Federation Local 37.

Comitas thought this would be an opportunity to capture something of Rastafari spiritual practice "for posterity."

August 5, 1969

Rastafari Rites

On August 5, 1969, Comitas recorded two "Rastafari happenings" that he called Rastafari Rites and An Amharic Language Lesson. Both would compare favorably with the 'sequence films' produced by ethnographic filmmakers like John Marshall and Timothy Asch.

The photographs that follow document the preparation and lighting of the chalice — a communal ritual at the heart of Rastafari spiritual practice.

From the Dungle, August 5, 1969

Two recordings made by Lambros Comitas at the gathering organized by Mortimo Planno. Among the earliest known video documentation of Rastafari spiritual practice.

Rastafari Rites

Mortimo Planno
The Dungle, Kingston
August 5, 1969

An Amharic Language Lesson

Mortimo Planno, Brother Morgan
The Dungle, Kingston
August 5, 1969

What Lambros apparently did not know…

What Comitas apparently did not know in August of 1969 was that Mortimo Planno had become the spiritual mentor to a young Jamaican musician by the name of Robert Nesta Marley — and that roughly a year before this videotaping at the Dungle, Bob Marley's musical talents had been "discovered" by Johnny Nash at an event that Planno had organized there.

Comitas's assumption that his videotaping would be "for posterity" proved more than prescient. Today, sequences of the video he shot on August 5, 1969 in the Dungle can be seen in the documentary on Bob Marley's life that plays daily for visitors to the Bob Marley Museum at 56 Hope Road, Kingston.

Further Jamaican Fieldwork
Fishing communityCoastal Communities · Jamaica 1
Coastal communityCoastal Communities · Jamaica 2
Jamaica, 1955–1979

Across the Island

Comitas's Jamaican fieldwork extended well beyond Kingston. From the 1950s through the 1970s, his research encompassed fishing communities, religious congregations, and rural life across the island.

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Llandewey, St. Thomas

Pastor Williams' Church

On August 4, 1969 — the day before filming the Rastafari rites — Comitas recorded services at St. Peter's Pentecostal Church in Llandewey, led by Pastor Williams. The juxtaposition reveals the range of spiritual expression across Jamaican communities.

White Horses, St. Thomas

Ethiopian Zion Coptic Church

A decade later, in December 1979, Comitas returned to St. Thomas to interview members of the Ethiopian Zion Coptic Church at White Horses — documenting the continuing evolution of syncretic religious movements in rural Jamaica.

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Fishing Communities

Cooperatives and the Coast

From his earliest work in the 1950s, Comitas studied the fishing cooperatives and coastal communities that defined much of Jamaica's rural economy. His lens captured life at Rocky Point, White House, Negril, Duncans, and Lances Bay — communities now facing climate change, rising seas, and tourism-driven development.

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Between Then and Now

Much of the photography and videography record that Lambros Comitas compiled in the 1950s and 1960s is now five to seven decades old — representing visual records of people and places at specific points in time.

Over the past twenty years, the 'archival turn' in anthropology has demonstrated the value of these records to both researchers and the present-day members of the communities in which they were created. They have become resources for reflection and community storytelling, and in some cases prompts for collective and restorative action.

The Dungle in West Kingston where Lambros shot some of his earliest video no longer exists. Likewise, most of the Rastafari that he recorded there are no longer with us. But among members of the contemporary community, the Dungle persists as a legendary meeting ground and 'remembered place' within the history of Rastafari.

Given that the culture of the Rastafari is now an integral part of Jamaica's national identity, the afterlife of such visual records is intertwined in the cultural politics that now surrounds the history of the movement and contestations over who holds the authority to represent it.

The ethnographic data encoded in these records takes on a potential 'afterlife' — both for present-day community members and future researchers. In this sense, Comitas's camera did not merely document. It preserved.